dark blue background gradient with colourful text that reads: fast and slow edits

Fast and Slow Edit Moves in Improv

How does your neurodiversity (especially top-down and bottom-up thinking) affect the way you edit, and how and when you do so in a scene or set?

This episode was inspired by a discussion I had with another improviser about fast and slow edit moves. They were told by a teammate to edit faster. The answer I gave them was a bit of an opinionated monologue infodump, and I was told I should turn that monologue into a podcast.

So here we are.

What we’re talking about today is edit moves, with focus on the speed of those edit moves and what it might have to do with your neurotype (ALL neurotypes. This means YOU.) That once you are confident and comfortable editing, and the form and style support it, edit moves can be dictated both by how you process information (bottom-up or top-down thinking), and preference.

They are different ways of editing. You might do both, and they’re both valid – what’s your default? What’s YOUR preference? Does it matter?

Let’s get niche. Go listen.

Listen to the episode

This podcast is hosted by me, Jen deHaan, of StereoForest. You can submit your questions, comments, or even a voice note.

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Discuss this topic with improvisers

This link will take you directly to the forum for this newsletter on the Improv Update Discord.The discord also contains a bunch of channels for improv nerds. Nice.

Jen deHaan
Jen deHaan

Jen deHaan founded StereoForest in 2024 to focus on creating comedy podcasts, audio dramas, and audio fiction series that blend scripted and improvised material.

Jen has taught long form improv classes at/with World’s Greatest Improv School (WGIS), Compass Improv, Highwire Improv, and Queen City Comedy. She was also the WGIS Online School Director, and hosted a lot of improv jams.

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